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Sonata K. 214 - Scarlatti*, Scott Ross (4) - Anthologie (CD)

It hardly matters - this set is an incredible treat and genuinely life-enhancing. Classical music. Warner Classics, 34 CDs. Scarlatti: The Keyboard Sonatas. It's a constant, almost inexhaustible Scott Ross (4) - Anthologie (CD). Classical music. Joined Aug 22, Posts 7, Likes Quote: Originally Posted by Tyson Figured I might as well jump in with both feet, since I'm not familiar with Scarlatti except for a few sonotas performed on piano.

They remind me of Bach's French Suites more than any of the other stuff. But you are right, Bach is definitely more structured and "mathematical". The amazing thing about Bach is how he sticks to structure and makes the music very emotive at the same time. Scarlatti is perhaps less deep or rigorous, but maybe more "fun". Just first impressions of course, as this is the very start of my Scarlatti journey.

Joined May 10, Posts Likes Joined Nov 4, Posts 3, Likes Wow, does that thing come with a mortgage? Sonata K. 214 - Scarlatti* Ward Headphoneus Supremus. Joined Dec 8, Posts 1, Likes Quote: Originally Posted by Leporello I have the Scarlatti - Horowitz -album, but after all Scarlatti sounds like music composed with a harpsichord in mind.

Voidoid-Surreal New Head-Fier. Joined Jul 27, Posts Scott Ross (4) - Anthologie (CD) Likes 0. I'd have to agree that I much prefer to hear harpsichord music played on harpsichords, not pianos. Domenico Scarlatti: Sonatas K.

Christoph Ullrich. Domenico Scarlatti: Sonatas. Brilliant Classics. Richard Sonata K. 214 - Scarlatti*. Scarlatti: 15 Sonatas. Blandine Verlet. Domenico Scarlatti: 15 Harpsichord Sonatas. Christophe Rousset. Trevor Pinnock. Deutsche Grammophon. Domenico Scarlatti: Sonatas, Volume 2. Andreas Staier. Domenico Scarlatti: Complete Keyboard Sonatas. Pieter-Jan Belder. Scarlatti: Highlights from the Complete Sonatas. Scarlatti: Sonatas, K.

Archiv Produktion. Scarlatti: Complete Sonatas, Vol. Joanna Leach. Elina Mustonen. Domenico Scarlatti: Complete Keyboard Works. Scott Ross. Warner Music. Scarlatti: Scott Ross (4) - Anthologie (CD) per Clavicembalo.

Scarlatti: 32 Sonatas.

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Chris McDermott - Radio Ghosts (CD, Album)

Wednesday 16 June Thursday 17 June Friday 18 June Saturday 19 June Sunday 20 June Monday 21 June Tuesday 22 June Wednesday 23 June Thursday 24 June Friday 25 June Saturday 26 June Sunday Album) June Monday 28 June Album) Tuesday Chris McDermott - Radio Ghosts (CD June Wednesday 30 June Thursday 1 July Friday 2 July Saturday 3 July Sunday 4 July Monday 5 July Tuesday 6 July Wednesday 7 July Thursday 8 July Friday 9 July Saturday 10 July Sunday 11 July Monday 12 July Tuesday 13 July Wednesday 14 July Thursday 15 July Friday 16 July Saturday 17 July Sunday 18 July Monday 19 July Tuesday 20 July Wednesday 21 July Thursday 22 July Friday 23 July Saturday 24 July Sunday 25 July Monday 26 July Tuesday 27 July Burns, a post electric play, an open run beginning August The Joffrey Ballet marks its return to the stage with Home: a Celebration, mixed repertory of original work and a beloved classic by co-founder Gerald Arpino from October 13 — More theatre reopenings will continue to be announced.

Chicago theatre is the leader in the U. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. Friday 2 July Saturday 3 July Sunday 4 July Monday 5 July Tuesday 6 July Wednesday 7 July Thursday 8 July Friday 9 July Saturday 10 July Sunday 11 July Monday 12 July Tuesday 13 July Wednesday 14 July Thursday 15 July Friday 16 July Saturday 17 July Sunday 18 July Monday 19 July Tuesday 20 July Wednesday 21 July Thursday 22 July Friday 23 July Saturday 24 July Sunday 25 July Monday 26 July Tuesday 27 July Wednesday 28 July Thursday 29 July Friday 30 July Saturday 31 July Sunday 1 August Monday 2 August Tuesday 3 August Wednesday 4 August Thursday 5 August Friday 6 August Saturday 7 August Sunday 8 August Monday 9 August Tuesday 10 August Wednesday Album) August Thursday 12 August Consequence of Sound.

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My Next Birthday - The Little Rabbits - Dedalus (CD, Album)

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Na-Na-Na Na Na

Your help would be much appreciated! Is it nanana of lalala? Stroud Hey maddy, I think you may have hit it with the 2nd one. Brings back plenty of memories when I was a kid and the bus used to have it on That song I believe has a history of misinterpretation. She's singing la la la la la, while many people have thought na na na na na.

No its ain't the song! It killed me as well by: Meow Notch - Nuttin no Na-Na-Na Na Na so. Mar 25, Rating. Feb 04, Rating. Hi I know the song you are talking about. Dec 16, Rating. Reply to nananana by: Melvin lewis If u still aint found it try songs by richie spice thats his trademark sorta sound, maybe its 1 of his tunes. Aug 10, Rating. It might be this old Tenor Saw? Jul 28, Rating. Hope this helps by: Anonymous I might be late but I believe the song your looking for is by Christopher Martin na na.

Jul 11, Rating. Mr Vegas. Own it by: Anonymous Own it by Canadian rapper drake at 3mins and 23 seconds it breaks off into 40 or 50 second outro. Originally, they had not planned on filming a full video for the track or releasing it Na-Na-Na Na Na a single but due to feedback by fans to the trailer, they changed their minds.

The song was released for radio play on September 28, The track was released on a 7" vinyl record in November in Europe, then later on April 16, in America to celebrate Record Store Day. The band performed the song on the Jimmy Kimmel Live!

TV program on November 18,additionally playing an altered version of their song " Sing. Gerard Way said: "It was great, because it's a song about hard drugs and blow up the world, and we were doing it literally with a marching band, cheerleadersfireworks and party football about to begin Spin ' s William Goldman described "Na Na Na" as an "in-your-face punk anthem with blistering guitar leads, an epic breakdown, and Gerard Way's sneering delivery", and added, "it's classic MCR and it's all hinged on an unforgettable, hockey-arena-filling chorus of na, na, na, na, na, nas ".

Anderson of AOL Radio noted, "By the looks of their new single and its paired video teaser, MCR are opting for an Na-Na-Na Na Na, light-hearted sound compared to their heavier-themed efforts. Singer Gerard Way sounds in fine form, going toe to toe with the guitars". From Wikipedia, the free encyclopedia. Alternative rock [1] pop punk [2] punk rock [3].

Creative Loafing Tampa. Retrieved May 6, Retrieved July Na-Na-Na Na Na, A three-minute punk-rock blast, Na-Na-Na Na Na Na Na" is a startling change of pace Retrieved All News Daily Roundup.

Album Reviews Song Reviews. Song Lyrics. Review: RIFF-it. Na-Na-Na Na Na good. Add Comment. April Spring, Summer and Wednesdays 3. Antique Angelique 4. Auntie Nellie 5. Black Veils of Melancholy 6. Daughter 7. Do You Live in Fire 8. Down the Dustpipe 9. Elizabeth Dreams Everything Face Without a Soul Gerdandula Gerdundula

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Pretty Boy Floyd - Cisco Houston - Cisco Houston Sings The Songs Of Woody Guthrie (Vinyl, LP, Album)

Woody Guthrie. Ship in the Sky. Grand Coulee Dam. Sinking of the Reuben James. Curly Headed Baby. Ladies Auxiliary. Taking It Easy. Hard, Ain't It Hard. Jesus Christ. Buffalo Skinners. Pretty Boy Floyd.

Philadelphia Lawyer. Old Lone Wolf. Talking Fishing Blues. Ranger's Command. Do Re Mi. Genre Folk. Styles Traditional Folk. Earnest Intimate Literate Plaintive Reflective. Pastures of Plenty Woody Guthrie.

Cisco Houston. Spotify Amazon. Despite Houston's poor eyesight which rendered him nearly blind by the end of his lifehe was a member of the National Maritime Union and worked in the Merchant Marine starting in and continued through three years of World War II. Houston survived three separate torpedoing of ships he served on. Throughout three wartime trips, the two folksingers gave performances regularly, boosting the morale of the crew and, on the third trip, three thousand troops.

During the years following the war, Houston engaged in acting, music, and traveling, sometimes recording. Four years later, Asch founded the label Folkwayswith Houston performing on two of the first LPs issued by the new company. Throughout the s, Houston performed regularly at clubs, churches, and colleges. He recorded for various labels, including Folkways, StinsonDisc, Coral, Decca and Vanguardand was a guest on numerous radio and television programs.

Diagnosed with terminal stomach cancerHouston continued performing until no longer able. He returned to California and died April 29,in San Bernardino. In the months preceding his death, with the knowledge of his imminent demise, Houston talked at length with his old friend Lee Hays, who recorded their sessions for a project he dubbed The Cisco Tapes.

Hays held onto the tapes for two more decades, until his own death inbut never completed creating something from the material. Houston and Hays had previously revised an earlier song called "Bad Man's Blunder". The Kingston Triostill at the height of their popularity inrecorded it for their album String Alongbecause they "wanted to do something for this artist who had contributed so much to the folk movement, but had somehow failed to receive the commercial recognition one would expect for a talent of his magnitude.

Houston received significant royalties from the success of this song at a time when the money was much needed. Houston's death was mourned by a growing folk music community that included young songwriters including Bob DylanTom Paxtonand Phil Ochs[1] a new generation of musicians who revered such performers as Woody GuthrieLead BellySonny Terryand Houston.

Cisco Houston was distinguished by his voice, a smooth baritone sometimes considered too polished for folk music. His voice was criticized as being too good, too professional, and lacking in authenticity. Cisco responded to this accusation:. There's always a form of theater that things take; even back in the Ozarks, as far as you want to go. People gravitate Album) the best singer We have people today who go just the other way, and I don't agree with them.

Scholar Ronald Radosh has written:. On the other hand, Sis Cunningham, who was a much more disciplined person than either me or Woody, was in a Greenwich Village Branch of the Party. She got Woody in. Leonard, in his book The Folk Singers and the Bureau also documents how the FBI treated Guthrie as if he were a member, adding him to various iterations of their Security Index - and keeping him on it till well into the early s.

After the Molotov—Ribbentrop PactGuthrie took an anti-war U-turn and wrote one song describing the Soviet invasion of Poland as a favor to Polish farmers and another attacking President Roosevelt's loans to Finland to help it defend against the Soviet Union's invasion in the Winter War. His attitude switched again in after the Nazis invaded the Soviet Union. The Woody Guthrie Foundation is a non-profit organization that serves as administrator and caretaker of the Woody Guthrie Archives.

The archives house the largest collection of Guthrie material in the world. The museum is open to the public; the archives are open only to researchers by appointment. The archives contains thousands of items related to Guthrie, including original artwork, books, correspondence, lyrics, manuscripts, media, notebooks, periodicals, personal papers, photographs, scrapbooks, and other special collections. Guthrie's unrecorded written lyrics housed at the archives have been the starting point of several albums including the Wilco and Billy Bragg albums Mermaid Avenue and Mermaid Avenue Vol.

IIcreated in LP at the invitation of Guthrie's daughter Nora. Nora selected Jay FarrarWill JohnsonAnders Parkerand Yim Yames to record her father's lyrics for New Multitudes to honor the th anniversary of his birth and a box set of the Mermaid Avenue sessions was also released. The festival is held on the weekend closest to LP birth date July 14 in Guthrie's hometown of Okemah, Oklahoma. Planned and implemented annually by the Woody Guthrie Coalition, a non-profit corporation, the goal is simply to ensure Guthrie's musical legacy.

With her, Guthrie wrote numerous Jewish lyrics. Guthrie's Jewish lyrics can be traced to the unusual collaborative relationship he had with his mother-in-law, who lived across from Guthrie and his family in Brooklyn in the s.

Guthrie the Pretty Boy Floyd - Cisco Houston - Cisco Houston Sings The Songs Of Woody Guthrie (Vinyl troubadour and Greenblatt the Jewish wordsmith often discussed their artistic projects and critiqued each other's works, finding common ground in their shared love of culture and social justice, despite very different backgrounds. Their collaboration flourished in s Brooklyn, where Jewish culture was interwoven with music, modern dance, poetry and anti-fascist, pro-labor, classic socialist activism.

Guthrie was inspired to write songs that came directly out of this unlikely relationship, both personal and political; he identified the problems of Jews with those of his fellow Okies and other oppressed peoples.

The Klezmatics also released Wonder Wheel — Lyrics by Woody Guthriean album of spiritual lyrics put to music composed by the band. Since his death, artists have paid tribute to Guthrie by covering his songs or by dedicating songs to him.

Leventhal repeated the tribute on September 12,at the Hollywood Bowl. Recordings of both concerts were eventually released as LPs and later combined into one CD. MVDD, ]. Dylan also penned the poem Last Thoughts on Woody Guthrie as a tribute. InIrvine also recorded both parts of Guthrie's "The Ballad of Tom Joad" together as a complete song—under the title of "Tom Joad"—on the first album released by his other band, Patrick Street.

In the introduction to the song, Springsteen referred to it as "just about one of the most beautiful songs ever written". Though the original recordings of these songs date back more than 30 years, Walker sings them in a traditional folk-revivalist manner reminiscent of Guthrie's social conscience and sense of humor. Speaking of Guthrie, Walker said: "I can't think of hardly anyone who has had as much influence on my own singing and songwriting as Woody.

The conference became the first in what would become the museum's annual American Music Masters Series conference. In collaboration with Nora Guthrie, the Smithsonian exhibition draws from rarely seen objects, illustrations, film footage, and recorded performances to reveal a complex man who was at once poet, musician, protester, idealist, itinerant hobo, and folk legend.

The ensemble show toured around the country and included a rotating cast of singer-songwriters individually performing Guthrie's songs. Interspersed between songs were Guthrie's philosophical writings read by a narrator. Oklahoma songwriter Bob Childerssometimes called "the Dylan of the Dust", served as narrator.

When word spread about the tour, performers began contacting LaFave, whose only prerequisite was to have an inspirational connection to Guthrie.

Each artist chose the Guthrie songs that he or she would perform as part of the tribute. LaFave said, "It works because all the performers are Guthrie enthusiasts in some form". The abbreviated show was a featured segment of Nashville Sings Woodyyet another tribute concert to commemorate the music of Woody Guthrie held during the Folk Alliance Conference. Steve Earle also performed. In I'm Not Therea biographical movie about Bob Dylanone of the characters introduced in the film as segments of Dylan's life is a young African-American boy who calls himself "Woody Guthrie".

The purpose of this particular character was a reference to Dylan's youthful obsession with Guthrie. The fictional Woody also reflects the fictitious autobiographies that Dylan constructed during his early career as he established his own artistic identity. In the film there is even a scene where the fictional Woody visits the real Woody Guthrie as he lies ill and dying in a hospital in New York a reference to the times when a nineteen-year-old Dylan would regularly visit his idol, after learning of his whereabouts, while he was hospitalized in New York in the s.

Later, a sketch on Saturday Night Live would spoof these visits, alleging that Dylan stole the line, "They'll stone you for playing your guitar! Now operated by the Beacon Sloop Club, it serves to educate people about sailing and the history and environs of the Hudson River.

InGuthrie was inducted into the Oklahoma Hall of Fame. The four musicians were represented on sheets Album) 20 stamps. The final concert in the series took place on July 14,Guthrie's th birthday. Track 8 is a cover of "Talking Fishing Blues". InThe Klezmatics set Jewish lyrics written by Guthrie to music. The resulting album, Wonder Wheelwon the Grammy award for best contemporary world music album.

In the centennial year of Guthrie's birth, another album of newly composed songs on his lyrics has been released: New Multitudes. The set also contains 21 previously unreleased performances and six never before released original songs, including Woody's first known—and recently discovered—recordings from From Wikipedia, the free encyclopedia. American singer-songwriter and folk musician.

Guthrie with a guitar labeled " This machine kills fascists " in March American folk music [1] protest music [2] country [3] talking blues [4]. Vocals guitar harmonica mandolin fiddle. Musical artist. Play media. Main article: Almanac Singers. Main article: Woody Guthrie Foundation. Main article: Woody Guthrie Folk Festival. This section may contain an excessive amount of intricate detail that may interest only a particular audience.

Please help by spinning off or relocating any relevant information, and removing excessive detail that may be against Wikipedia's inclusion policy. June Learn how and when to remove this template message. Main article: Woody Guthrie discography. Miller Freeman. ISBN Gilmour June 24, Bloomsbury Publishing. Cengage Learning. Mapping Woody Guthrie. University of Oklahoma Press. July 3, Retrieved on November 27, New York: W.

Archived from the original on June 25, Retrieved July 12, Robert Burns unplugged. Boston GlobeAugust 7, Retrieved December 5, NPR Music. Retrieved September 3, Ancestry of Arlo Guthrie. Retrieved on November 7, University Press of Mississippi. Retrieved August 25, Celebrity Diagnosis. July 14, Retrieved December 18, Common Ground Spring : Oklahoma Historical Society. Retrieved September 8, Archived from the original on November 17, Tulsa World.

Retrieved January 29, Woody Guthrie: American Album). Urbana: University of Illinois Press. Manuscripts Box 7 Folder Retrieved November 7, September 17, Retrieved July 27, Frank Beacham's Journal. Retrieved January 12, Retrieved June 17, Retrieved January 30, Television Obscurities. People's Songs Newsletter, Vol 1.

Old Town School of Folk Music resource center collection. Bound for Glory Unknown Binding. Retrieved November 27, Woody Guthrie biography. Retrieved January 8, Retrieved on March 9, Time magazine. April 20, NBC: America's Network. Berkeley: University of California Press. May 13, Biographical Dictionary of Radio. April 12, The Concise Dictionary of America Radio. Folklife Center News. Retrieved August 2, Serge Simon Fraser University.

Wesleyan University Press. Woody Guthrie: American Radical Patriot. Woody Guthrie Publications, Inc. Retrieved September 5, Woody Guthrie, American Radical. University of Illinois Press. Woody, Cisco and Me. Random House. Retrieved February 5, United States Department of the Interior. Retrieved February 22, Spring Columbia Magazine. Archived from the original on July 13, Retrieved April 10, Retrieved June 3, PBS NewsHour.

DNA is Not Destiny. New York, NY: W. Norton and Co. Retrieved January 4, Semin Neurol.

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Mammals - Lucifer Wong - Mammals (Vinyl)

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Fury vs. College Football: Select Games. According to their approach, RPE were isolated from 6- to 8-day old black eyed rats and grafted into the subretinal space by using a lesion paradigm which penetrates through the sclera and choroid.

However, while this technique is marginally appropriate for immature RPE cells, with mature cells it leads to activation and transformation of these cells which damages eye and retinal tissue. Lopez et al. In this procedure, RPE cells were obtained from normal, congenic, pigmented rat eyes by trypsin digestion. These freshly harvested, dissociated RPE cells were injected into the subretinal area of the eyes of dystrophic RCS rats via an incision through the sclera, choroid and neural retina.

Comparable to the Li and Turner approach discussed above, this procedure destroys the organized native structure of the transplanted RPE cells, which take the form of a confluent monolayer in a healthy eye. Moreover, the procedure is of questionable value for the transplantation of mature RPE cells.

When mature RPE cells are transplanted in dissociated form, experimental results indicate that they are likely Mammals - Lucifer Wong - Mammals (Vinyl) become activated, migrate into the subretinal space, and as noted by Lane, C.

This activation of the transplanted, mature RPE cells can result in such pathologies as retinal pucker, massive subretinal fibrosis, retinal rosette formation, retinal detachment, and proliferative vitreoretinopathy.

The difficulties discussed above associated with the transplantation of mature RPE cells is problematic for human transplantation since available supplies of immature human RPE donor tissue are extremely limited. Moreover, the inability to use mature cells effectively prevents transplantation using autologous RPE tissue, which otherwise would be desirable to avoid the complications involving potential immunological responses faced by non-autologous transplants. Since the victims of AMD are predominantly older adults, in most cases utilizing autologous tissues for transplants would necessarily entail the use of mature human RPE cells.

It is believed by the present inventor that it is necessary to maintain adult human RPE cells substantially as a monolayer to achieve their successful transplantation and to avoid the problems associated with activation of Mammals - Lucifer Wong - Mammals (Vinyl) cells.

Although not wishing to be limited to a particular theory, it is thought that the cell-to-cell contact inhibition provided by an intact monolayer, supplemented by adherence to a substrate, mitigates against RPE cell activation. Moreover, a monolayer structure for the RPE provides a proper foundation for the maintenance of the photoreceptor cells in an organized outer nuclear layer structure and for proper growth and arrangement of inner and outer segments, believed by this inventor to be advantagous to restore a reasonable degree of vision.

The requirement that the photoreceptors be maintained in an organized structure is based on the well known optical characteristics of photoreceptors outer segments act as light guides and clinical evidence showing that folds or similar, even minor, disruptions in the retinal geometry can severely degrade visual acuity. Additionally, in cases of AMD where subretinal neovascular membranes have appeared, prior to RPE transplantation, such membranes will need to be removed to prevent subretinal edemas and hemorrhaging of these membranes.

In practice, removal of the neovascular membrane results in removal of the native RPE and Bruch's membrane as well. A critical impediment to the transplantation of RPE cells as a monolayer is the fragility of the intercellular structure of RPE relative to the rigors of manipulation during transplantation to the subretinal area. Moreover, providing satisfactory support to the RPE cells during this process is complicated by the fact that the support must either be removed subsequent to transplantation, to avoid compromising metabolic exchange between the choroid and the overlying retina, or be compatible with such ongoing physiological activity.

Thus, a method is needed wherein an implant comprising a monolayer of RPE cells is prepared and transplanted in which the component supporting the monolayer of RPE cells, upon transplantation to the subretinal area and exposure to a set of predetermined conditions, does not impede normal eye tissue function. Further, a Bruch's-like membrane for attachment of the transplanted RPE cells will be needed in those cases where neovascularization has occurred and the native Bruch's membrane is removed.

Among the objects of the present invention, therefore, may be noted the provision of a method for preparation of a population of RPE cells as a monolayer for use in the reconstruction of a dystrophic RPE; the provision of such a method which allows for use of mature, and in particular, autologous, mature RPE cells as donor tissue in the reconstruction of a dystrophic RPE; the provision of an implant for use in the reconstruction of a dystrophic retina; the provision of such an implant which does not interfere with normal eye tissue function after transplantation and maintains photoreceptors and their inner and outer segments by allowing for maintenance of the native organization of the photoreceptor; the provision of such an implant which provides a membrane for attachment of the population of RPE cells especially when the native Bruch's membrane has been removed; and the provision of a method for transplantation of such implants to the subretinal area of an eye.

Briefly, therefore, the present invention is directed to a method for the preparation of a population of RPE cells for transplantation to the subretinal area of a host eye. The method comprises providing donor tissue comprising RPE cells, harvesting from that tissue RPE cells, and apposing the harvested RPE cells as a monolayer to a non-toxic, flexible support that, upon transplantation to the subretinal area and exposure to a set of predetermined conditions, will not impede normal eye tissue function of the host eye and the transplanted population.

The present invention is further directed to an implant for transplantation to the subretinal area of a host eye. The implant comprises a laminate of a monolayer of retinal pigment epithelium cells and a non-toxic, flexible support that, upon transplantation to the subretinal area and exposure to a set of predetermined conditions, will not impede normal eye tissue function.

The present invention is also directed to a method for transplanting to the subretinal area of a host's eye an implant comprising a monolayer of RPE cells.

The method comprises providing an implant comprising a laminate of a monolayer of retinal pigment epithelium cells and a non-toxic, flexible support that, upon transplantation to the subretinal area and exposure to a set of predetermined conditions, will not impede normal eye tissue function, making an incision through the host's eye, at least partially detaching the retina to permit access to the subretinal area, and positioning the implant in the accessed subretinal area.

As used herein, the term "donor" shall mean the same or different organism relative to the host and the term "donor tissue" shall mean tissue harvested from or cultured from tissue harvested from the same or different organism relative to the host. Autologous tissue shall mean tissue harvested from or cultured from tissue harvested from the host organism. It is believed that in age-related macular degeneration AMDcompromise or degeneration of the RPE cells which underlie and form a close structural and metabolic support for the photoreceptors, leads to the loss or destruction of viable photoreceptors.

It has been discovered, however, that transplantation of a population of RPE cells as a monolayer, i. Moreover, as illustrated in Example 2 below, it is believed that it is essential to transplant mature RPE cells Mammals - Lucifer Wong - Mammals (Vinyl) a monolayer in order to prevent activation of such cells.

Activation leads RPE cells to transdifferentiate into wandering macrophages, fibroblast-like cells and other cell types, which cause a number of dystrophic effects in the eye and retina. In FIG. Referring now to FIG. The flexible composition serves as a stabilizing support for the RPE cells during transplantation.

The implant constitutes a laminate of a monolayer of RPE cells and a support composition approximately to microns thick, and preferably microns thick. The surface of the implant has a surface area greater than about 1 square millimeter, preferably greater than 2 square millimeters, and most preferably greater than 4 square millimeters, or as large as may be practically handled.

Thus constructed, the implant may subtend a considerable extent of the sub-retinal surface. In selecting donor tissue for the harvesting of RPE cells, it is noted that previously, transplantation of RPE cells was effectively limited to immature cells. Mature RPE cells transplanted according to prior art methods have been shown to undergo activation resulting in retinal pucker, sub-retinal fibrosis and proliferative vitreoretinopathy.

However, by utilizing the procedures for implanting a monolayer of RPE cells according to this invention, transplanted mature RPE cells have successfully maintained essentially normal structure and function.

Thus, the subject invention makes mature RPE cells available for transplantation, significantly increasing the supply of usable donor tissue beyond the narrowly limited supply of immature human donor tissue. It is also noted that the RPE forms part of the blood-retinal barrier and is thus exposed to lymphocytic attack. Accordingly, use of autologous RPE cells, now possible even for mature RPE cells, is preferable, since it will avoid immunological complications in clinical applications.

Donor tissue may be provided, for non-autologous, human RPE tissue, from eye banks, which make the RPE tissue available in connection with conducting corneal transplants. Harvesting donated tissue comprising non-autologous RPE cells can be accomplished by any suitable method. Specifically, to harvest non-autologous RPE cells, a donor eye is pinned by the optic nerve stump into an eye cage and placed in an eye jar immediately after corneal removal.

After loose connective tissue and muscle have been carefully trimmed from the eye, it is placed upright on a sterile plate and the anterior segment with the adherent vitreous is lifted out of the eye cup. The neural retina is separated at the optic disc and removed.

The RPE cells are released from Bruch's membrane by gently pipetting the culture medium in the shell. For implants containing autologous tissue, RPE cells may be harvested by performing a biopsy following the procedures disclosed by Lane, C.

The implant also comprises a support for the RPE cells so that the monolayer of RPE cells is less likely to be damaged and is more easily manipulated during the transplantation process. The support consists of a substrate, an overlayer or both, comprising a sheet or sheets of a non-toxic, flexible composition selected to provide mechanical strength and stability to the easily damaged monolayer of RPE cells. Because the support composition will be inserted into the eye as a laminate with the monolayer of RPE cells, the support is also comprised so that, upon transplantation to the subretinal area and exposure to a set of predetermined conditions, described herein, the support composition will not impede normal eye tissue function of the host eye or the population of transplanted RPE cells.

If the harvested RPE cells are to be cultured before transplantation, the composition providing support to the monolayer of RPE cells during transplantation may optionally be capable of serving as the attachment substrate for the RPE cells during culturing. A variety of compositions may be used as the support for the population of RPE cells, depending upon the specific set of conditions to which the composition will be exposed after transplantation. In short, the composition is selected either because any portion remaining within the subretinal area for more than approximately one week after transplantation is compatible with normal eye tissue function upon exposure to bodily fluids within the sub-retinal area, or for its susceptibility to elimination upon exposure to prescribed conditions.

An additional factor to consider in determining the make-up of compositions for support of the monolayer of RPE cells is whether Bruch's membrane has been or will be removed from the host eye prior to transplantation of the monolayer of RPE cells.

Bruch's membrane serves to anchor the RPE cells in a healthy eye. Removal of Bruch's membrane may occur in cases of AMD where a subretinal neovascular membrane has formed and Bruch's membrane is removed as a consequence of the removal of the neovascular membrane.

In cases where Bruch's membrane is removed, the support composition will comprise a layer of collagen less than microns in thickness, and preferably between 1 and 10 microns in thickness. The basal surfaces of the RPE cells attach readily to the collagen layer, which serves to anchor the RPE cells to the choroid in place of the removed Bruch's membrane. The layer of collagen also serves to inhibit the occurrence or reoccurrence of subretinal neovascularization through and around the transplanted RPE.

Such a collagen Mammals - Lucifer Wong - Mammals (Vinyl) is retained indefinitely in the sub-retinal area. However, it is known that Bruch's membrane is essentially comprised of collagen, and such microthin layers of collagen are permeable enough to avoid impeding normal eye tissue functions such as the metabolic exchange between the choroid and the retina.

However, collagen compositions of such a minimal thickness are not strong enough to prevent buckling or distortion of the monolayer of RPE cells during transplantation. Thus, such microthin collagen materials need to be used in combination with additional supporting materials which will be eliminated after transplantation, if they are to form part of the support for the transplanted RPE cells. The transplanted RPE cells may then anchor themselves directly to the Bruch's membrane.

Either to supplement a layer of collagen, as discussed above, or in cases where inclusion of a collagen anchor Mammals - Lucifer Wong - Mammals (Vinyl) not required, a support composition may be selected which is dissipated, for example, by exposure to a sufficient amount of heat, selected enzymes, or bodily fluids. Gelatin is an example of a preferred support material which is flexible, lacks toxicity to neural tissue and has the ability to dissolve at body temperature.

Another alternative is to use biodegradable polymers such as ethylene-vinyl acetate copolymer Elvax 40W, DuPont Chemical Co. Polysciences, Inc. See, e. Data Sheet Advantageously, the gelatin or other support composition may additionally serve as a carrier for any of a number of trophic factors such as pharmacologic agents including immunosuppressants such as cyclosporin A, anti-inflammation agents such as dexamethasone, anti-angiogenic factors, anti-glial agents and anti-mitotic factors.

Upon dissolution of the support composition, the factor or agent becomes available to impart the desired effect upon the surrounding tissue. The dosage can be determined by established experimental techniques. With appropriate enzymatic digestion, using techniques disclosed by Pfeffer, B. Such a freshly harvested intact monolayer of RPE cells may be immediately apposed as an intact monolayer to a support, such as a thin collagen sheet, supplemented with an overlayer or substrate of gelatin, allowing several hours for adhesion prior to transplantation.

This procedure may be useful for transplantation of RPE cells obtained in a biopsy, provided sufficient RPE tissue is obtained from the biopsy as an intact monolayer. In most cases, however, it is preferable to culture the harvested RPE cells on an attachment substrate so that a monolayer of RPE cells may be prepared. Culturing the RPE cells before harvesting is also preferred both to allow for the production of larger populations of RPE cells from a small amount of harvested tissue and to allow for a period of observation to ensure that the RPE cells to be transplanted are healthy and functional.

For proper culturing, harvested RPE cells contained are apposed to a substrate to which they will attach and grow, and which is capable of being maintained in culture conditions appropriate for efficient growth of RPE cells.

Apposition of RPE cells may be accomplished by pipetting a solution containing a population of RPE cells onto the substrate. Intact sheets of harvested RPE cells in a physiological solution may also be physically released via a wide-bore pipette onto the substrate and manipulated with a fine camel-hair brush if necessary. Attachment substrates which are suitable for growth of RPE cell cultures include plastic culture ware or glass culture chamber slides coated with collagen for cell attachmant.

Culturing harvested RPE cells can be accomplished by any suitable method for obtaining a confluent monolayer of RPE cells. Appropriate culturing techniques are described in Pfeffer, B. An implant laminate 1 is formed as depicted in FIGS. Thus, a monolayer of RPE cells 5 is first cultured on a suitable substrate for growth. RPE cells will grow on plastic culture ware A. However, to aid in removal of the monolayer of RPE cells 5 from the culture ware A, the culture ware A may be coated with a substrate 9 for the RPE cells, such as agarose or fibrin.

See FIG. The substrate 9 is in turn coated with a thin microns layer of collagen 7, to which the monolayer of RPE cells 5 readily attach, and which will serve as an anchor for the RPE cells in the post-transplantation period. If agarose is used as the substrate 9, the agarose is activated so that the collagen 7 will adhere to it by treating the surface of the agarose with an activator such as cyanogen bromide, as disclosed by Axen, R. The implant laminate 1 comprising a monolayer of RPE cells 5, attached to the collagen anchor 7 and an overlayer of gelatin 3, may then be physically removed from the culture ware A by slicing between the culture ware A surface and the collagen 7 with a razor C, as depicted in FIG.

The implant laminate 1 may also be removed from the culture ware and substrate 9 enzymatically, as depicted in FIG. The underlying substrate 9 may be removed from the implant laminate 1 by application of an enzyme specific to the material comprising the substrate 9. If the substrate is agarose, agarase, an enzyme specific to agarose, may be used to dissipate the agarose.

To aid in dissipation of the substrate 9, the culture ware A may comprise a cell culture insert membrane, containing an inner membrane A-1 with a porous bottom, and an outer, solid membrane A The porous e. These pores facilitate penetration of the solution B containing the enzyme into the substrate 9 so that it may be broken apart, and the implant laminate 1 removed from the culture ware A. As depicted in FIG. The implant 1a is transplanted to the subretinal area at the posterior pole 76 of the host eye after detachment of the retina, as portrayed in FIG.

The gelatin overlayer dissolves within hours after insertion of the implant 1a into the host eye. After transplantation, the retina reattaches, and the monolayer of RPE cells, anchored to the layer of collagen, is sandwiched between the choroid and the retina. To transplant the implant, the host eye is prepared so as to reduce bleeding and surgical trauma. The preferred surgical approach in the human, FIG.

The instrument 20 is advanced through the sclera and choroid 78 and to the ora serrata 74 as illustrated in FIG. The instrument detaches the retina as it is advanced under the retina and into the sub-retinal space to the posterior pole 76 of the eye.

Preferably, an instrument comprising an elongate tube having a flat, wide cross-section may be used so that the implant may be drawn into the elongate tube for protection as it is transported through an appropriate sized incision in the sclera or choroid. Advantageously, the fluid may additionally contain anti-oxidants, anti-inflammation agents, anesthetics or agents that slow the metabolic demand of the host retina. If the instrument does not include a lumen, the retina is detached by subretinal irrigation or by the walls of the surgical instrument as it is advanced under the retina and into the subretinal space to the posterior pole 76 of the eye.

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Black Video - SX (3) - Arche (Vinyl, LP, Album)

Bandcamp Album of the Day May 25, Dream Logic by Rachel Kiel. Throwback pop with gleaming synths, chiming guitars, solid melodic hooks, and a cinematic sense of scale from North Carolina's Rachel Kiel. Tallies by Tallies. This Toronto group's sound unabashedly hearkens back to the bouncy indiepop of the Darling Buds and the Primitives. The Half Turn by yOya. Sun Damage by Clairaudience.

Transatlantic 5-piece releases sun-kissed indie sounds on yellow cassette. Releasedatum 22 november Label Music Mania. EAN Aantal stuks in verpakking 1 plaat. Taal Engels. Kleur Gekleurd. Overige kenmerken Compilatie Nee.

LP taal Engels. LP gewicht g. Muziekgenre Pop. Verschijningsjaar Landen Belgie. Please click here to change site if necessary. Please verify the hardware version of your device for the firmware version. Wrong firmware upgrade may damage your device and void the warranty. Do NOT turn off the power during the upgrade process, as it may cause permanent Album) to the product. It's recommended that users stop all Internet applications on the computer, or simply disconnect Internet line from the device before the upgrade.

Still Download Go to Local Website. Emulators Firmware Version. As a team, they Black Video - SX (3) - Arche (Vinyl combine the strengths of all parties. Initially, the results will be a line of very high quality electronics, including the Opus 6 DAC, the first digital product to be promoted by Mockingbird Distribution. Opus 5 DAC with optional power supply. With a carefully selected chipset and transformer-coupled audio output, the Opus 5 is designed to produce natural sound, with sweetest Black Video - SX (3) - Arche (Vinyl warmest tonality from digital music files.

These sonic characteristics are often associated with irritation and fatigue, which discourages extended listening sessions. The design of Black Video - SX (3) - Arche (Vinyl Opus 5 began with diagnosing the above musical drawbacks of modern USB DACs, despite their ever-growing technical specs.

The goal is warmth, sweetness, and emotional involvement from digital music files. First, we thoroughly searched the parts suppliers in search of a musical sounding digital chipset.

We have not focused on technical LP, but relied on actual listening, to find the chip sets we preferred. Although this chipset only provides DA conversion up to 16 bit files, at 48 KHz sampling rate, the sound is natural and warm, with excellent resolution. Second, we wanted to use the highest quality analog output stage. Archived from the original on Retrieved Bloody Disgusting.

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Pais Tropical - Fio Maravilha - Various - Destination Les Iles (Vinyl, LP)

I had good friends, they put me in good schools like the seminary my dad sent me to. My parents gave me dignity and opened me up to what's good and what's bad.

And all this I have to pass on nownot just to my children but to my public too. I think they deserve it. Totally innocent. For "Charles, Anjo 45" I took my inspiration from the figure of Robin Hood, who everybody knows from the cinema. And I put all that into my song. But, at the time of the dictatorship, these songs were censored, along with others. And I wrote completely innocently. I've always been apolitical non militantalthough I've lived among active politicized friends like Gilberto Gil and Caetano Veloso.

I've always been a romantic. Few understood my message as that of a romantic person. Besides the technology, I like to read newspapers and get news from abroad through cable TV, about everything that's going on in the world. But sometimes my intuition scares me. My dad told me that the kind of music I do isn't for now but for several years from now. I've always had this intuition of well-being, of rooting for peace.

It's what I've always dreamed of, what I'll live to see. This Real Plan a Brazilian economic plan was introduced, giving the 'real' the same value as the dollar, but I'd already said that before in a song of mine. But there are things I refer to and then they happen. Sometimes I even think I'm being too futurist, but the way things are heading I think all the good things are going to happen. It was a fertile period for various composers. Tropicalia exposed good musicians and good writers.

All the songs from that time are still around. Not just mine, but by other writers too. But it was a fertile time for Brazilian music. I thank God for that, and that the critics understand my work.

I do a professional job, like when I'm on stage and want everything to go well. The people out there watching me are there because they like me. I want those going to one of my shows for the first time to leave having liked it and to have asked for an encore.

I have to be professional without exaggerating. Like a musical poet, singing them stories so they can leave happy. And without concessions. Though an artist who's recording for a multinational knows he's gotta sell. An album could be really beautiful but it LP) not sell and might not interest the record company.

It has to have a strong appeal and something pop. It has to please me, the record company and the public. Making an album involves obligations to studio time, contracts and production too. Discs can't be too alike, even though for me my sources for composition and my roots are one and the same. But the next one"ll have to sound a little different to "Homosapiens".

Cover, arrangements and everything. I want to show my public conscientious work. I want them to say "he's done something different and good".

That's what I always think about, pleasing the public and the critics. And once, I appeared in an episode of "Mission Impossible" singing in a night-club. It was when I did a university tour with Sergio Mendes. At the request of the Ministry for External Relations. Interest in me abroad is very great but I'm not getting Pais Tropical - Fio Maravilha - Various - Destination Les Iles (Vinyl time to go.

I think that during this coming European summer I ought to be doing a new tour there, presenting my new work for Sony Music, my office is working on that.

It'll be in July and August. I was there three years ago, and now I want to go back. In Europe you have to stick at it, every year. They know you but it's still difficult cos it's not in their language. Thank God, I got off to a good start and got to go to Europe every year, but it's nearly three years now since I've been there. Strange as it may seem, I've only been to Latin America twice.

I went recently to Argentina, where I'd never been before. But now when I went to Argentina, I had a pleasant surprise; at all birthdays, weddings and parties there they have to play my songs. Especially the young audience that gave me an ovation at Hollywood Rock, here in Sao Paulo inwhere I got top marks; and in Rio de Janeiro where I also got top marks. That was the greatest musical moment of my career. And in Rio de Janeiro too, at the Sambodrome. Another great moment in my life was the show in the Valley of Anhangabau in the old centre of Sao Paulowhich they said hadpeople, on the day of the city's birthday January 25, That was marvellous, a great moment.

And I've had lots of other moments, but it's those that really left their mark. I couldn't leave out playing at New Years in Rio de Janeirothere were more than a million people, it's one of the candidates for the Guinness Book of Records.

It was marvellous seeing that on Copocabana beach, the sands were a sea of people dressed in white. That too was one of the greatest moments in my musical career. And it's been working out cos the band that's with me follows me and understands what I want to do for the audience. It's a thing of the moment, talking to the audience.

In a way talking and singing at the same time, as I've always wanted to do. Singing and talking to the audience. But I've always tried to do this: singing, but as though it were speech, so that in a way the lyrics come across as if I were speaking. It's got a melody but comes out almost spoken. I do them the same way I create them.

I think there have always been good interpreters who've recorded my songs in a really straightforward way. I could mention Gal Costawho's always interpreted my songs marvellously, and Caetano Veloso. Top class bands like Biquini Cavadao with a really nice arrangement of "Chove Chuva" and the Paralamas do Sucesso's live arrangement of "Charles, Anjo 45".

There's a new girl singer in Rio called Daude, who did something incredible, Pais Tropical - Fio Maravilha - Various - Destination Les Iles (Vinyl two versions of "Chove Chuva" on the same CD. She did two versions, one a rap, both excellent, marvellous. The legendary Wilson Simonal interpreted me well.

He was the second person to record "Pais Tropical" which, at the time, was a big hit. Afterwards many other singers. There was a bossa nova singer in the old days called Claudete Soares, who did a marvellous reading of "Que Maravilha".

Another who was a good rogue was Gonzaguinha, but there are many others. Among rogues, there's a difference in the use of language between natives of Rio from the suburbs and those from the shanty towns.

They don't have to be from the shanty towns, but in the suburbs there's a different kind of roguery. There's another way of speaking, with lots of slang. It's a more upfront thing.

It's a new language that sees the new differently. This roguery is going to enrich, add an extra spice, to Brazilian music and lyrics.

Besides the lyrics, there's a roguery in the drums, there's a different beat. A way of playing the chords too. There are musicians who read everything, know everything, but don't have this roguery. There are musicians who don't know any of that stuff, but play correctly as if they knew it all. It's because they've got this roguery, and there's heart in it.

When the heart is put before the head, that's when you get roguery and hustling. However, it must be added that 'malandragem' has a very special place in Brazilian life and culture which requires and deserves further investigation. The acoustic guitar gave me my first chords, but I played them wrong cos I learnt Pais Tropical - Fio Maravilha - Various - Destination Les Iles (Vinyl my own.

I wanted to play and so I learnt. I learnt first what few people manage to do, which is tune the guitar. I thought that if I knew how to tune up I'd be able to play it. I began with a method book and then went on to play the musical notes. After ten years I went to study music. My guitar playing was percussive and the people and the tourists thought I played it wrongly, because I played with a plectrum.

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Ray Charles - Rock + Soul = Genius (CD)

Advanced Search. Track Listing. Early in the Morning. Ray Charles. The Midnight Hour. Sam Sweet. Night Time Is the Right Time. Ray Charles - Rock + Soul = Genius (CD) Sad. Eddie Jones. Ray's Blues. I'm Movin' On. Hank Snow. I Believe to My Soul. Nobody Ray Charles - Rock + Soul = Genius (CD). Charles' Blues.

This is a discography of American musician Ray Charles. In the early s, after leaving Atlantic Records to sign with ABC—Paramounthe negotiated for Ray Charles - Rock + Soul = Genius (CD) of his own master recordings. He also established his own labels. Tangerine came first, which later evolved into CrossOver Records. As a songwriter, Charles penned nearly songs. He also operated his own publishing companies, Tangerine Music and Racer Music.

On the Billboard HotCharles had 80 hits between the year Ray Charles - Rock + Soul = Genius (CD) chart began andwhen " I'll Be Good to You " became his last Hot single, reaching No.

Charles also reached No. The single appears on Charles' duets album, Friendshipwhich reached No. InCharles had a No. Jazz [1]. Hundreds of Ray Charles compilations and "Greatest Hits" albums have been released and continue to be produced and released by various labels around the world. Some of the more notable compilations include: [ citation needed ].

Maxin Trio and Maxim Trio : [11]. The list of singles below Ray Charles - Rock + Soul = Genius (CD) songs Ray Charles released while on the Atlantic label between and Listed below are songs Ray Charles released during his Columbia Records tenure which was spent on the country singles chart. From Wikipedia, the free encyclopedia. Retrieved Australian Chart Book — Ray Charles - Rock + Soul = Genius (CD) ed. St Ives, N. ISBN Australia's Music Charts — pdf ed. Let's Go. One Mint Julep. Rudy Toombs.

Stompin' Room Only. Howard Marks. Mister C. Strike Up the Band. Birth of the Blues. Golden Boy. This Here. I Remember Clifford. Benny Golson. Lee Morgan. Pas-Se-O-Ne Blues. Zig Zag. William C. Angel City. Teddy Edwards. Horace Silver. Track Listing - Disc 2. Our Suite. A Pair of Threes. Alf Clausen. Going Home. Kids Are Pretty People. Thad Jones. Jimmy Heath. Brazilian Skies. I'm Gonna Go Fishin'.

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Romantic Journey - Norman Connors - The Best Of (CD)

Smooth Motion FM 2. Funky Corner Radio 1. Radio Caprice - Soul Jazz 1. RetroSonic Grooves 1. You can leave your e-mail and we will let you know when Romantic Journey - Norman Connors - The Best Of (CD) broadcast of the station will be online again: Or listen to the other Russia stations. All Funk Radio. Precious Radio Funk. Rare Grooves Radio. Radio Barbouillots. Djam Radio. The two tracks of theirs which Romantic Journey - Norman Connors - The Best Of (CD) most familiar are " Phoenix " and " You're A Star " hear both on Myspacethe latter being, in my opinion, nothing short of discofied genius.

That said, some of his own albums, at least the two that I've listened to from his years at Buddah have some excellent material as well.

Surprisingly enough, Connors was not the producer of this album. Judging from the credits, his role, aside from being the assembler-of-talent, was in arranging, Romantic Journey - Norman Connors - The Best Of (CD) playing drums, tympani and other percussion with the main production being handled by Skip Drinkwater.

Anyway, about the song itself, one of the things I love about it are those soft, classy strings and, if I'm correct in my terminology, those wonderful chord progressions on the strings, which are pretty much the backbone of the whole thing. Notably also, the song goes through a lot more changes than one would probably expect in a disco song. Not just chord changes, but also those brief Romantic Journey - Norman Connors - The Best Of (CD) bold drum fluorishes right before the chorus, ably complimented and interplayed with those impressive and, in that instance, dynamic strings.

It probably doesn't do much, as far as giving the track those four-on-the-floor disco credentials, but it's totally arresting nonetheless. In a interview with Soul Brother's Soul CellarMitchell talks about how his involvement with Connors came about: " It was around and I was performing locally, at the Access Theatre in Louisville. Aki Aleong, who was Norman's manager at the time, actually came through with a cousin of mine and she introduced me to him - I think he might have been here for the Derby.

He needed songs for Norman Connors and I said I've got some We began to talk and I played him some stuff and he liked it. Michael Henderson had just split from Norman's band to go solo, so I was asked to record my songs, ' Once I've Been There ' and ' Destination Romantic Journey - Norman Connors - The Best Of (CD) ', so it was a pretty good deal for me. It turned out to be a big record and we toured and travelled throughout the country.

Saturday Night Special Buddah Records Romantic Journey Buddah Records Invitation Buddah Records Arista Records Easy Living Motown Records Eternity Starship Records

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