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In order to start using our services you need to refill your account balance. Refil balance. Jan GarbarekMarilyn Mazur Elixir In Praise Of Dreams Selected Recordings 2 CD Rites 2 CD Visible World Jan GarbarekHilliard Ensemble Officium Jan GarbarekMiroslav Vitous Atmos I Took Up The Runes Kilden - Jan Garbarek - Jan Garbarek - MP3 Collection (CD 1) (CD) Of The Seven Dreams All Those Born With Wings Jan GarbarekEberhard Weber Chorus Works Paths, Prints Eventyr Jan GarbarekKjell Johnsen Aftenland Places Thanks to the 8-minute length, it feels both meditative and epic.
This is rather mellow jazz piece, highlighting the bright and decorative piano playing. Despite the passion, eight minutes is perhaps a bit too much for this piece. Like 'Kukka', the title track written by Jim Pepper is another shortish, safe and melodic jazz tune, with solistic spots for both tenor sax and piano. Very enjoyable. And finally there's a minute version of Don Cherry's 'Desireless' which originally lasted only a minute on Cherry's Relativity Suite This is really great stuff, the piece proceeds with full inspiration from the quartet.
In the middle I find myself being spellbound by the bass line. The lengthy bass solo that follows the passionate, sax-dominated section is for me a slight moment of boredom, as bass solos in jazz have never really impressed me. The epic closes beautifully in a slow and thoughtful manner. My expectations on this album were not very high namely as a Jan Garbarek workbut I found a lot to enjoy in it, and if it's seen as one of the jazz classics of the 70's, I have no strong reason to disagree.
This 2-disc set is his only live release, and it's a very good one. As it apparently is more typical in jazz than in rock, there are many tracks new to a listener familiar with Garbarek's studio albums.
Some compositions are credited to his fellow musicians, one each, and there are tracks originally written by L. Shankar and Milton Nascimento, one each.
But surprisingly many Garbarek compositions too were new to me, who have listened to quite a many of his studio albums. As I'm usually not that keen to have multiple versions of the same music, that's pretty suitable, but on the other hand, a little more familiarity with the compositions would probably have made the impression greater. Besides the differences between studio and live tracks are surely bigger than in rock music. To me the most familiar track here was 'Twelve Moons' - and it's not a carbon copy of the studio version.
I Kilden - Jan Garbarek - Jan Garbarek - MP3 Collection (CD 1) (CD) had heard at least 'Voy Cantando' from 's Legend of the Seven Dreams before, but without really memorizing it. Anyway, what counts is that the playing here is excellent, and the concert in its entirety is well balanced and enjoyable.
Review by snobb Special Collaborator Honorary Collaborator. Obvious project's leader is Jarrtett for sure. His playful piano improvs are central sound of album's music and most attractive its element. Garbarek's sax sounds far from his experimental works of early 70s and shows his growing trend to melodic simplified tunes, influenced by folklore, and with only occasional interesting improvs. He has enough space on this album, but comparing with Jarrett piano, sounding if not risky,but very jazzy on American manner, Garbarek's musicianship adds more simplified feeling to all sound.
Rhythm section is competent, but as in cases with previous Garbarek's releases with them are great supporting team and hardly more. Musically album varies from post-bop with serious Jarrett's classical influences to more polished mix of third stream and Nordic folk, but in all cases sound is well rounded, emotionally cool and only Jarrett great piano playing makes it alive.
Borderline album in many senses: after its release Jarrett will continue working for ECM recording few more albums with European quartet, Garbarek will develop similar musical direction on his later albums, but without Jarrett's jazz roots Garbarek's music very soon will be transformed to cold background world fusion,close to new age. The sound, presented on this album as well as many similar releases of mid-late 70s will evolute to post-bop rooted, but Kilden - Jan Garbarek - Jan Garbarek - MP3 Collection (CD 1) (CD) melodic contemporary jazz of 90s.
Released as Jan Garbarek-Bobo Stenson quartet album, this release contains music seriously different from Garbarek's early quartet's releases. If first three Garbarek's solo albums were all great to excellent collections of hungry and sharp innovative avant-jazz, later Garbarek turned to more accessible music, mixing his early avant-garde sound with post-bop and Nordic folklore.
Here on Witchi-Tai-To which is real Garbarek - Stenson duo work with competent rhythm section on support he reaches the peak of still innovative and accessible symbiosis. All songs but one are mostly known American jazz composers's compositions, from Carla Bley to Don Cherry. Garbarek-Stenson duo demonstrates wide possibilities playing melodic post-bop on the edge between still experimental but never risky and comfortable. Music sounds really nice, but are from one hand too polished, and from other - too much secondary.
Garbarek's tenor sax sounds extremely clear and quite pleasant and Coltrane-likeStenson demonstrates all his influences Jarrett,etc. Luckily, this album the last Garbarek's one for years is still the one with positive balance of inspiration and conformity. Don't expect explosion of Garbarek's earlier works, but just very professional pleasant and not boring release. My rating is 3,5.
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