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Face Off. The Parking Lot Chase. The Street Chase. The Cleaners Are Coming. Too Late. Clever Girl. The Negotiation. The Torture. You Hid It On Me. The Drive. See More. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying.

Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. The Vault. Run Away. Get Rid Of The Evidence. The Video. Room To Room. Face Off. The Parking Lot Chase. The Street Chase. Track number two, THE BANK is again a fairly powerful piece and at first slowly builds into a percussion and string combination that is ruthless and exciting, these elements fade away and give way to a more subdued mood but this too alters and reverts back to a more action orientated cue, with brass, strings, percussion and electronics combining to create a tense and vigorously alluring composition which when combined with the images succeeds in building the correct ambience for the sequence.

Track number six, GET RID OF THE EVIDENCE, I particularly remember because the composer asked the brass section to be more aggressive in their playing, the brass being played in unison with electronic stabs underlined by percussion and laced with strings, the brass and synthetic stabs acting as punctuation to You Hid It On Me - Laurent Eyquem - Momentum (CD particular scene within the movie, again the music and the images fused as one, the music in my opinion becoming an important part of the scene and the action or an extension of the scene as it were.

This is a soundtrack that I would say any self respecting collector of film music should have, it is one of those scores that work wonderfully within the film it was composed to enhance, but also has a life of its own away from the images on screen, I personally feel it is a return to the old style of scoring as it has real themes and motifs that are developed upon as the work progresses giving the work consistency, MOMENTUM is pulsating, brooding, exhilarating and above all entertaining.

Set in South Africa MOMENTUM is an action packed movie that by the look of the few scenes I was lucky enough to see at the recording session contains some of the most edge of the seat and fast paced situations that I have seen in recent years. The thriller which stars Olga Kurylenko, Morgan Freeman, James Purefoy and Scot Cooper is a tale about modern crime and begins with a complicated and risky heist that goes badly wrong.

It is an intriguing and highly entertaining plot which is at times violent and traumatic. Stephen S. The score for MOMENTUM is a powerful one and contains all the elements that a great action picture needs to support it and also to embellish You Hid It On Me - Laurent Eyquem - Momentum (CD enhance each and every scenario, but what struck me about the work and watching the composer put his score to the images was that it also contained a great deal of emotion and at times melancholy, which he at times applied to scenes that contained quite graphic violence, which I think will give the audience a real connection with each character.

The music which was performed by players from a number of leading London orchestras was recorded over two days, January 7th and 8th at Abbey road studios, studio 2, Director Campanelli was also present. The score is performed in the main by strings and brass. The latter making a massive impression and giving the work a fearsome and relentless sound which one cannot fail to be gripped by.

The strings add the melodies and give the work heart and a sweeping lushness that again one cannot fail to notice Album) love. And he wanted to keep the Album) as organic as possible: he wanted to be able to hear the piano's pedal, any click from the bows of the strings, any imperfection that usually we do not Album) at the mix.

Those imperfections were kept to help the audience to feel as if they are witnessing ''live'' a moment in someone's life, and, to remind us, that life is not perfect. For Eyquem, who himself has had to overcome many personal tragedies, this score was very personal.

When you have raw emotions like those on screen, with a pristine and majestic acting from masters like Ellen Burstyn, Catherine Keener, Jon Hamm, Bruce Keener The challenge was double, because Mark gave me all the freedom to Album) melodies and not a 'background' atonal score.

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