De simmar inte. Han springer inte. Han springer. De lagar inte mat. De lagar mat. Kvinnorna har ris. Pojken har en penna. Hunden springer inte. Sover han? Sover hon? Simmar hunden? You are commenting using your WordPress. There are some lighter tunes, like For E with its programming which to me doesn't add much to the album though it's not a bad tune, just not a strong one as well, therefore, for Swedish Lesson #2 - Tr-Ond And The Suburban Savages - Tr-Ond And The Suburban Savages (CD) not much is gained from its inclusion in the album.
Another track like Andre Malist has a more straight approach, almost "pop-y" but as the track goes on, I find it to Swedish Lesson #2 - Tr-Ond And The Suburban Savages - Tr-Ond And The Suburban Savages (CD).
But when a song like Mother Of Time starts with its odd and funny lyricsall is forgotten as we are rolled into the rollercoaster again. The rhythmic nature of the music is such that it grabs me, gets my full attention and carries me away, which is what good music does.
The last track, Not Necessarily A Miracle is a good example of that. There I hear a well-balanced mix of propulsive rhythm, beautiful melody and a special atmosphere.
I'll say one more thing about the music that they make; it makes me wish I had become a musician and not settle for learning a few years to play keyboards. Making music like this is fun to compose and to play. Not a masterpiece or essential, but creative, original, highly enjoyable and well played. Recommended listening! Richard Pelavin. Eugen Schies. Ryo Sekine. Limited edition of debut album.
Artwork by Thomas Kaldhol. The Madonna Death Cult Camp Don King Kong! Kaba For E Mother of Time Andre Malist To my knowledge there is some connection between the Norwegian and Swedish scene, but Swedish Lesson #2 - Tr-Ond And The Suburban Savages - Tr-Ond And The Suburban Savages (CD) little with the Finnish and Danish scene.
There are so many excellent bands in the current Norwegian prog scene — what do you think are the reasons for this? Any Norwegian-specific aspects that might lead to this? I think a reason why we have so many excellent bands in Norway, is caused by practicalities more than ideology or culture.
As a musician you want your music to be known, but if your music does not get any exposure, you get tired and then you quit.
Therefore, you need possibilities to get your music known to a potential audience. Through the years be that we have had people that have played the music on radio, both on national and local broadcast and in that way given the music exposure to a broader audience and kind of reminded them that progressive Swedish Lesson #2 - Tr-Ond And The Suburban Savages - Tr-Ond And The Suburban Savages (CD) still exists.
We have also had the fanzine Tarkus from toa fanzine that had a lot of readers and Swedish Lesson #2 - Tr-Ond And The Suburban Savages - Tr-Ond And The Suburban Savages (CD) many up and coming prog bands the much-needed exposure to an audience that was interested in this kind of music.
It has also been quite easy to arrange concerts and thus be given the opportunity to present the music to an audience and get the response that propels the creative processes. We recorded and mixed the album ourselves between andand after mastering the album, we were looking for a deal.
Ketil from Weserbergland had contract with Apollon, and he gave Robin the label manager a hint about that we had an album we wanted to release.
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