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Look under the hood and know the risks, opportunities, and expected investment revenue with technical due diligence. What would have taken us 8 months only took them 2. I really like Untitled they have taken the vision on and thought about it independently themselves. Elvie Pump. We want young creators aged 13 and over to take a lesson with Unreal Engine. Show us your skills! Create a piece of creative writing with a drawing about mental health for Fulham FC Foundation! With an exciting new course brought to you by Facebook Spark AR, you can learn to create your own filters in seven hours via this innovative partnership.

Some top tips for overcoming creative block and getting started on our Fulham FC Foundation brief about mental health. And futuristic. And cool. Of course there's always more that could be done.

Eye Gaze Mode could use brush stroke smoothing, and Speech Recognition could use general artificial intelligence. I'd love to see people using JS Paint, especially the Eye Gaze Mode and Speech Recognition, so please, if you don't mind, record yourself on video and send me the video through this form.

Maybe I could even make a compilation video. But mainly this lets me know what's actually important to people, and what's confusing, and it gives me motivation to work more on Untitled features. I recently made it easier to grab handles for resizing things.

With that, combined with multitouch panning, JS Paint is much more useable on a phone. Caveat: It's slow on some devices, and parts of the interface are still too small for touch. Handles are now way easier to drag, with extended click targets, similar to Paint from Windows 7. It's not unreasonable to use with a touch screen now! This applies to selections, textboxes, and the main canvas handles. Resizing things while zoomed in is finally fixed!

The Text tool now Untitled previews the pixels that will be placed on the canvas. What you see is what you get! Untitled it retains all browser editing behavior, like spellcheck, using a convoluted, yet elegant overlaying strategy. This is a special directive for the Pandoc variant of Markdown. In the untitled static site generator, when a TOC is enabled, the depth is 4.

If present, the page from file. This can be anything. Write it in Markdown. For example, you could use this to put announcements on a page. Where you have file. This does not replace any global CSS files that you specified in site. It is applied after that one. One possible use-case for this is if you have an otherwise decent CSS file for your site, but you need to override certain rules on a specific page.

Where you have your Markdown file, strip off the mdyou create a new file with the same name but with. This will override the default, global template, Untitled that page only. This section defines what files should be placed in directories that are to be news sections. Simply write your news pages. Read the notes below for how to set up news sections on your website. A table of contents is always enabled, on news pages but not the news indexunless you want it to be so.

Start your news page like so, in the Markdown file e. The order of the file names dictate what order the links will appear in, on the news index that is automatically generated see below. This will have a page title, and introductory text. When the index page is generated see belowthe resulting index will include the contents of this file, and then links to each page per the contents of MANIFEST. These will be generated automatically, with an index linking to news articles.

It assumes that you will write websites in English. If you have a file named file. If you want a Russian page, you would make a file named file. If you made an override file such as file.

The language is also inserted into the page as e. Also: if Hebrew. Most of the easles were the walls that had been constructed for the chapel commission; he also painted on large plywood panels. Rothko painted very rapidly, and on a good day he could produce fifteen works on paper. Although in poor health he painted with great energy, moving his whole body, not just his wrist. Some of these works seem to have materialised effortlessly, the grays applied with a single sweep of the brush.

Such works contrast with more labored paintings on paper which Rothko could not resist revising and editing Mark Rothko: Works on PaperNew Yorkpp. T is painted with a broad brush. The paint was applied to both sections with horizontal sweeps of the brush but in the upper section Rothko added vertical marks with a relatively dry brush in a deeper tone, the lighter tone showing through.

A light coloured horizontal line divides the principal fields. After completing a painting Rothko would remove the tape to reveal a white border of unpainted paper. He considered this border to be an integral part of the painting. Although the sombre palette of these late works on paper has been explained by some critics as reflecting Rothko's depression following his illness, the fact that he used darker colours some ten years earlier would seem to deny this assertion, which remains unsubstantiated.

This is not to deny the importance of the subject in these or any other of Rothko's paintings. Any vestigial image that remained in Rothko's abstract paintings afterhowever, had been eliminated in the Houston murals. The white margin both emphasises the flatness of the surface and suggests the possibility of depth. In the elimination of the figure in these late works and in the abutment of one tone against another, Rothko comes close to the effect of certain paintings by Barnett Newman.


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