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Que vergonha…. Mais uma serie de fotos dedesta vez com aqueles que se foram e nos deixaram suas obras, pelas lentes da Magnum:. Felizpara todos!!!! Aspas entre, remando, remando, remando, …, o grande barato do Blog, deentre outros baratos, mas tudo muito generoso e sofisticado. Algumas vezes fico pensando, qual o verdadeiro motivo que tantos seres se vestem de granadas, e se implodem. Acha que essa pessoa cuidaria de nossos filhos?

Mas a pratica no cotidiano em pequenos atos. Oi, Sandra. Nunca, sempre, nada, tudo, devem ser ditos criteriosamente. A gentileza pode, claro, ser sincera. Beijo posso? Sou Brasileiro! Era vira lata. Successfully produced in London, the play initially fails on Broadway but would be successfully revived off-Broadway in Most profilic as a dramatist inthe s, Feiffer was an important figure in the off- off-off-Broadway and regional theatre movements.

Qualquer um. O Vampiro de Curitiba. Eh Vamp, ta dificil. Essa coisa de falar sobre Israel realmente eh muitissimo delicado. Hoje, num almoco, fiz, sem querer, obvio, uma das pessoas que mais amo, Mary Ventura, chorar, por causa de palavras mal escolhidas minhas sobre essa confusao que da quando se fala na constituicao do Estado de Israel e e os sobreviventes do Holocausto.

Tive muitos parentes assassinados em campos de concentracao. Isso nao me da a autoriade e nao me desautoriza a falar em nome de milhoes de pessoas que foram desterradas por causa de um demonio do terror Hitler. Mas a discussao eh, ainda hoje interessante porque aquela area do mundo ja era muitissimo complicada antes de 48, antes da instalacao de Israel.

O problema do mundo eh que nao nascemos ontem e nem a Historia comecou na semana passada. Feliz ano Velho!!!!!!!!!!! Mais um ano se passou. Mais um ano eu vivi. Se puder quero ser um personagem. Sempre que puder estarei aqui comentando os seus textos invadindo a sua praia me banhando na sua sabedoria. When faced with challenges and crises, Americans have always demonstrated an empowering resolve to join together — to take small actions and big actions — and solve the problems that surround them.

As the largest and leading non-profit family service agency in Georgia, Families First has witnessed firsthand the challenges facing American children and families in these trying times. E Eu Só Penso Em Ti - Various - Disco Do Ano 13/14 (CD) have also witnessed great and positive impacts when individuals resolve to take whatever actions they can to address problems in their communities.

This is what I Am The Solution is all about. Saideira de Litlle Murders no You Tube. Na verdade, mandei parte do show. Em uma mulher como tu, que o idolatra? Essa a sua dele dele? Que venha. Sim, eles nos causavam um certo desconforto. Sim, um pouco de Beckett. Can you hear it? Eu quero ver. Fechou meu ano. Muito boa. Venha completo, E Eu Só Penso Em Ti - Various - Disco Do Ano 13/14 (CD), absoluto. Os intelectuais escolheram a internet. A elite acessa Internet de casa, sim. Quem pagou toda minha viagem?

Claro, falta tanto…. Muito importante e emocionante para mim. Estou feliz por isso. Quando quiero bailar yo me voi a mi zona, para Havana yo me voi….

Lembramo-nos do passado … Elaboramos projetos, planos, metas … para o futuro. Gente bem informada, atualizada, culta. Gente … articulada. Amigos mesmo — de verdade! Todos … nem sei como expressar o que vi e senti. Vivem em paz!!! Todo ano a mesma merda. Fogos de artificio brindando mais um ano velho. Muitos deuses e feriados santos. Headline deste website hoje sobre a festa de confraternizacao e celebracao pelo comeco de um novo ano:.

Feliz Ano Novo a todos. Feliz One of the differences from 19th-century slavery is that many of these modern slaves will die of AIDS by their late 20s. Whenever I report on sex trafficking, I come away less depressed by the atrocities than inspired by the courage of modern abolitionists like Somaly and Sina.

They are risking their lives to help others still locked up in the brothels, and they have the credibility and experience to lead this fight. Li umas mensagens do Reinaldo como eh mesmo? Que loucura! Sandra: eu bato em vc? Meet the new Boss NOT the same as the old boss. Ivo Veiga PS aos seres normais do blog minhas simpatias.

Feliz para todos. Only about 20 percent of respondents support expanding the operation into a ground campaign — about the same proportion that supports an immediate cease-fire. But an Israeli human rights group says civilians were killed as they tried to protect their goods. Will the recession end in ? Will China revalue its currency? How far will central banks go? Will the banks be taken over by the state? What will equities do? Will London remain a leading global financial centre?

Will there be a UK general election in ? Whose reputation will be made in ? Will Mugabe go in ? How many US carmakers will survive? Will the US lift the embargo on Cuba? Will Israel and Palestine make peace? Will Kim Jong-il keep hold of the reins of power? Will Israel or the US bomb Iran? Will scientists create artificial life? Hence no one should hold their breaths for any forthcoming. Like a teenage girl at a new school, Americans desperately want to be liked. His message: It comes with the territory; get over it.

Fair points both, I think. Yet America is different from those past empires, and I find our thin skin winning—to a point. O Contrera escreve respondendo pro Pacheco logo acima desse meu comentario, mas????? Que doideira. As vezes acho esses comentarios um delirio. Para com essa frescura, sabes o meu nome completo. Loucura, doideira, delirio… Simplista assim, Gerald? What about Harold Pinter? Happy now? Intrigante o texto do Rodrigo. Deveria ser parte da blognovela. Ele entende muito de filosofia e cultura alemas, Nietzsche especialmente:.

Estamos em Nem poderia. Consultei Collin Gee no Google no bom amigo Google e entrei no teu blog. Que maravilha! Portanto existo. Sejamos todos collin gee. Tenho sido em E Eu Só Penso Em Ti - Various - Disco Do Ano 13/14 (CD) momentos. Pacheco vc esta ai!!!!!

Das Ninas, das Sandras, das Sonias. Quem te disse que eu os quero? Concordo, neste blog entram inclusive os asnos. Foi o que entendi do seu discurso. O trauma de guerra tem cura? A gente consegue extinguir o passado de nosso inconsciente? Coronel Veiga. Sobe a asas do Sr. Bom dia a todos!!! Primeira entrada emespero que seja a primeira de muitas Excelente ano a todos!!! Acabo de acordar e sou prensenteada com o show do Claudio Zolli noo canal Brasil….

Na Ilustrada de hoje tem um artigo maravilhoso do Gerald Thomas, falei maravilhoso de novo, deixa eu encontrar uma palavra mais adequada: lindo!

De qualquer forma, tem algo que admiro em suas palavras. Discordo, Cristina. Tava de saco cheio, achando tudo inutil, sem sentido. Pura egotrip. Ah, se todo nosso mal fosse apenas esse….

Esse sistema doente de controle sexual. Imaginem o que eles fazem com o resto…. Dignos de todos os tempos. E Gerald aceitaria um Nobel ou faria como o Sartre? Sim, porque eles existem. Susan Judia. Voce e a Cristina representam o outro lado do mundo.

Pinter sempre me irritou imensamente, era um grande imitador de Samuel Beckett. Ah, sim. Ele aceitou seu Nobel. O que isso quer dizer? Mas o que importa tudo isso? Causavam na plateia dos anos 60 e 70 um enorme, digo, enorrrrme desconforto.

Nelson Rodrigues sempre foi um brasileiro apaixonado. O bairrismo! E Harold Pinter? Eram desabafos. Eu sei Gerald, eu sei. E mais um pouco. E mais forte. Confio nele. Mas sabe do que se trata e consegue fingir bem. Passar por uma ditadura deixa marcas profundas em um Estado, em uma cultura. Estou falando do oriente? Gerald era o James Fox como o criado e o Finney como o ator, vi a cerca de 6 meses pela enesima vez disso tenho certeza.

A primeira vez que ouvi falar de Harold Pinter foi quando o Jornal Nacional noticiou sua morte. Retificando Wiener Stat Oper.

Barrett is a phenomenally complex, delicate role, and the wrong actor could have easily thrown the entire film out of balance simply by leaning too heavily on a line or holding a beat just a second too long. What it needed was an actor possessing both prodigious intelligence and intuition, and Bogarde was, in that sense, perfectly suited for it.

In one of the most enigmatic films to come out of Great Britain, The Servant, both artists along with screenwriter Harold Pinter succeeded in rendering a study of human power, its limits as well as its possibilities, that, over forty years after its release remains a far more subtle, less baldly allegorical work than critics and some audiences first surmised.

Of course, within the context of British cinema in the s, the prevailing view of The Servant as a social allegory was altogether predictable. Like their sources, films such as Room at the TopLook Back in Angerand Saturday Night and Sunday Morning were intensely informed by issues of class, emerging in more or less enraged response to a postwar climate when notions of a truly classless British society were promoted with a straight face by many of its leaders.

So what else were moviegoers supposed to think? Matters of Class may have been a principal subtext of the novel from which The Servant was derived a novel I confess I have not readbut in no sense are they anything more than a vague underpinning of either the movie Joseph Losey directed or, particularly, the screenplay Harold Pinter wrote.

This is a film about power, in its most basic and consuming forms. Hugo Barrett Bogarde arrives at three-on-the-dot for an appointment. His prospective employer, Tony James Foxis an upper-class wastrel just come into his inheritance. But all of this is set to happen sometime in the future. Tony is not in fact an indolent dilettante; he has some ambition. They were essentially male nannies, superannuated babysitters. Quaint, quiet men whose tasks were to protect the interests of a gentleman; service his household needs with fixed devotion; and, most important, suggest no evidence of an independent will.

But they were also largely obsolete by the latter half of the twentieth century, existing exclusively as a hangover from feudal traditions that were dead before the newly privileged were born. He sees the employment of a manservant as a positive necessity, a way of observing the forms so essential to his status. Barrett oversees the furnishing and decoration of the house before Tony moves in; he does the cooking, the cleaning, the clearing away, the dusting off, the locking up.

Barrett does it all for him. In fact, she detests him. Behind every door, just outside every room. Barrett hangs about the place day and night like a growth of Spanish moss, always with that infernal cleaning rag and room deodorizer in hand. He beats a hasty retreat — ever so sorry — but it does little to restore their ardor. For Susan, this represents the last straw. Incensed, she puts the matter to Tony directly: Get rid of him. Tony refuses steadfastly. He has no rationale for not dispensing with his increasingly intrusive manservant; he can barely comprehend the reason himself.

After all, where would he be without Barrett? The Brazilian venture, it turns out, has been one enormous pipe dream.

And a dilettante with no occupation is still a dilettante. When Vera arrives, all hell breaks loose. He knows a nice young thing when he sees one, and this one is very nice indeed.

A man would have to be dead to resist. Critical response to The Servant was laudatory, bordering on the ecstatic. Even newspaper critics who people actually read, such as Bosley Crowther and Judith Crist, found much to praise, little to damn. In fact, much of what makes The Servant such a remarkably compelling work is the manner in which these elements converge in a still-rare formal harmony. It was an unfortunately limited reading of The Servant that nevertheless obtains to this day. The same, however, could not be said for Harold Pinter.

His work was simply never concerned with the larger issues of society, and the only politics he routinely confronted were those in the language of human interaction, He was endlessly preoccupied with the treacheries inherent in the most time-worn relations.

In this respect, his screenplay for The Servant is one of his greatest works, the equal of anything he wrote for the stage. This, and not a barely existent subtext, is what makes The Servant such a disturbing film. Viewers and critics who sought to drown The Servant in sociopolitical syrup were avoiding the obvious. There is something indeed tragic about the decline of this upper-class twit that failed to register with more class-conscious critics.

But anyone who imagined that some fundamental reversal had taken place between Barrett and Tony at the end needed glasses. He continues to cook the meals, fix the drinks, answer the doorbell, lock up at night. He has attained an enduring power over Tony, and can now indulge himself with the impunity of a Tiberius. But it is a limited power. A power achieved only by performing his duties, by pleasing his employer. Grato pela aula. Gerald conversar com pessoa cultas como voce e bota cultura nisso me provoca orgasmo intelectual.

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I'll wind John Buzon Trio. Yellow bird Arthur Lyman Group. So rare Jimmy Dorsey. Eu queria ser negro; 3. Quando o sol se esconder; 4. Playboy fracassado; 5.

Outro mundo; 7. Sai de baixo gente boa; Eu vou pra Barra. LP 2 — Marcus Pitter — Sem destino; Morreremos amantes; Te amo sim A escola; Onde o vento faz a curva; Busca; A lua e a rosa; Cabecinha no ombro. Vereda tropical; 2.

Carioca; 3. Danse avec moi; 4. Pa-ran-pan-pan; 5. Cerejeira rosa; 6. El manisero; 7. Cote D'azur; 8. Negra consentida; 9. Cubanacan; Blen, blen, blen; Adios, mariquita linda; Cachita; Night must fall; Rumba blanca; Always in my heart; Lamento borincano; Canto indio; Tropical magic. Quer saber Que eu te amo demais Vai pecadora. Hateen Mil novecentos e noventa e Me abriu um sorriso Vai buscar Dalila Nesta pista cheia Encontrei hoje cedo Triste madrugada Quero cantar de novo Ah se houvesse um Ah que bom seria Sou praieiro sou A gente vive Por que tu me Quero beber Malandro eu ando Os alquimistaas Xica da Silva Xica Hora de Santa E pra deixar acontecer Flor pra onde for Aumente o som pra ficar Se eu pudesse Vivendo de folia e


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